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![]() Summer Jazz Intensive July 19-23, 2010 All Ages and Levels Instrumental and Vocal Monday through Friday Jazz! Wake up, play music all day and return the next day to do it again, all with the guidance of professionals who have studied with the masters and want to pass on the tradition. Classes will be hands on! Don't forget your instrument or your voice Classes to include:
Classes start at 9:30 everyday and finish around 3:30 with time off for lunch, each will be unique and tailored to the individuals enrolled, with a small student to teacher ratio The week will end with a Friday student concert Program Cost Students: $300*, includes lunch Adults: $400*, includes lunchsave $50 by bringing your own lunch!(full time students only) Per Day Costs: Students: $75 Adults: $100 For Questions: info@openmusiccollective.org or call 802 275 5054 *with preregistration; $25 added if registered after July 15 All Ages and Levels encouraged to enroll, We are here to teach and create an environment that is safe for all people to feel comfortable and improve their musicianship
Downloadable Registration Form Below: ![]() Summer Faculty David “Goody” Goodrich was born and raised in the Washington D.C. suburb Bowie Maryland, David Goodrich (a.k.a. Goody) began playing music at the age of two on a drum set given to him by a neighbor. Picking up guitar in junior high, he spent his teenage afternoons jamming with friends and soon found himself in a variety of bands, gigging professionally in Annapolis and D.C. clubs before he was old enough to get into them. Earning a scholarship to Boston's Berklee School of Music in 1985, Goody moved to Boston, found himself studying with jazz greats Joe Henderson and Pat Metheny, and quickly began laying the foundation for his own innovative musical style. Integrating jazz and improvisation with folk and world music, Goody's approach to composing, playing, and performing is based on years of listening and training, along with a carefully honed sense of intuition. Specializing in stringed instruments (acoustic, electric, Hawaiian, steel & slide guitars, mandolin, mandocaster, piano), he has been an integral part of numerous jazz, rock, and acoustic ensembles. As a member of the influential rock band Groovasaurus from 1991-1998, Goody and his bandmates helped define the resurgent Boston music scene of the '90s, receiving consecutive Boston Music Awards and Best of Boston accolades. When Groovasaurus called it quits, Goody began collaborating with an extraordinary array of today’s best independent singer/songwriters as an accompanist and producer. He has produced recordings for artists such as Chris Smither, Peter Mulvey, Jeffrey Foucault, Rose Polenzani, The Amity Front, and Moses Atwood. He appears on over 75 recordings, including the Grammy-nominated Avalon Blues, and has performed internationally on hundreds of stages. Scott Mullett has played and toured with some of the best big bands in the world, including those of Woody Herman and Artie Shaw. He was drafted into Woody’s band after a few semesters’ study at Berklee College, where he had had been awarded a full scholarship at the age of 17. Mullett has been a working musician ever since, and is now a first-call saxophone player for the greater Boston area, doing commercial studio sessions, and performing regularly with the White Heat Swing Orchestra and the C-Jammers. They even invite him back to teach an occasional saxophone clinic at Berklee! When he came back to the area in the late ‘90s due to family concerns, he was fresh from three years’ tenure as Musical Director for Royal Caribbean Cruise Lines, and was probably surprised to find himself settling down in the same town where he’d grown up. Mullett currently resides in Swanzey and draws students from around the tri-state area for private instruction. He is also founder and director of the Keene Jazz Orchestra, now in its sixth year. Doug Raneri has been a professional musician for thirty-six years.He has studied privately with Fred Buda, Alan Dawson, Bob Gullotti, Gary Chaffee, and Bob Moses as well as attending the New England Conservatory of Music as a jazz performance major. He has performed with Charlie Haden, Michael Brecker, Yusef Lateef, Milcho Leviev, Roberto Miranda and many others within a diversity of musical genres. Being comfortable in many styles of music affords Doug the opportunity to share his knowledge with a wide range of students and performers. Jamie Macdonald is known in the New England-area as a professional, musical, and eclectic bassist. Additionally, his students consider him to be a hardworking, challenging, and eye-opening teacher. Though Macdonald’s degree was conferred over ten years ago, his studies have continued. Jamie Macdonald refers to himself as a “student of music.” In other words, he feels music offers an endless number of lessons, and an endless number of opportunities for growth. He has studied privately with Mike Formanek, Cameron Brown, Don Baldini, and Harvey Schwartz. Professionally, Macdonald performs in a number of genres. including work as a principal bassist in the Keene Chamber Orchestra, Vermont’s Windham Orchestra, Vermont Jazz Center Big Band performed in concert with Gene Rush, Pete Yellin, Satoshi Takeishi, Helmut Kagerer, Jay Clayton, Claire Arenius, James Williams, Sheila Jordan. Bobby Bradford, Rod Levitt Orchestra, Peter Eldridge, Carlos Averhoff, Catherine Legard, Emilie Conway, and Harvey Diamond. He is currently performing as part of the Jazz Demolition Project with David Goodrich on guitar and Doug Raneri on dums. He also regularly performs with Draa Hobbs, Jeff D’Antona, Mitch Seidman, and The Diamond Cosmos.
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